Where Should We Start and What Could We Do?: Asian Performance and Pedagogy

Authors

  • Xing Fan Centre for Drama, Theatre, and Performance Studies, University of Toronto

Abstract

In this paper, I offer reflections on the challenges and strategies involved in teaching Asian performance to non-conservatory students in North America. With specific case studies drawn from courses that I have taught, I discuss pedagogical approaches in three areas: 1) strategies of using interaction among the multiple aspects of language, musicality, costumes, scenery, and use of space to nurture student awareness of foreign aesthetics in both visual and aural dimensions; 2) evolvement of project design that takes advantage of textual analysis to foster critical thinking in dealing with foreign ideology; and 3) challenges and strategies to strengthen students’ oral communicative skills with regard to Asian performance in an academic context.

Author Biography

Xing Fan, Centre for Drama, Theatre, and Performance Studies, University of Toronto

Xing Fan is an assistant professor in Asian theatre and performance studies at the Centre for Drama, Theatre, and Performance Studies, University of Toronto.  She received her PhD in theatre from the University of Hawai‘i.  Her research interests include interactions of art and politics in China, Asian performance, Chinese dramatic literature, and popular culture in contemporary China.

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Published

2016-05-01