Performing Fugue: Desire, Denial, and Death in Jesus Camp Queen

Patrick Santoro


The following critical response compares Angela J. Latham’s solo performance, Jesus Camp Queen, to a musical fugue. Playing with fugal form on the page, and highlighting the insights of scholars and practitioners of personal narrative performance, the author illuminates the layered and intimate demands of composing the self across social, cultural, and political contexts.

Full Text:



  • There are currently no refbacks.

Copyright (c) 2017 Patrick Santoro

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.