Disruptive Presence: Twenty-First-Century Shifts in Spectatorship and Audience Research

Authors

Abstract

An editorial introduction to this special issue on twenty-first spectatorship.

Author Biographies

Kelsey Jacobson, Queen's Unviersity

Kelsey Jacobson is an assistant professor in the Dan School of Drama and Music at Queen’s University. Her current research focuses on audience perception and locations of onstage realness in contemporary Canadian performance.

Scott Mealey, University of Toronto

Scott Mealey is a PhD candidate in the Centre for Drama, Theatre and Performance Studies at the University of Toronto. His thesis interrogates the role of intent, style, and familiarity in effecting attitudinal changes in theatre spectators.

Jenny Salisbury, University of Toronto

Jenny Salisbury is a PhD candidate in the Centre for Drama, Theatre and Performance at the University of Toronto. Her teaching and research interests include community-engaged theatre and documentary and applied theatre, with an emphasis on Canadian play creation and audiences.

Image Caption: Audience watching Untitled by Tanya Lukin Linklater at Niigaani-Gichigami. Oniatarí:io, part of the Ka'tarohkwi Festival of Indigenous Arts at the Isabel Bader Centre for the Performing Arts.

Downloads

Published

2019-09-15

Issue

Vol. 5 No. 2 (2019): 21st-Century Spectatorship

Section

Editorial Notes

License

Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings.

Manuscripts submitted to Performance Matters should be original works that have not been published elsewhere. Note that authors are responsible for obtaining permission to include copyrighted material in any article or review published in Performance Matters.