Chauvinism and its Discontents
Canadian Theatre Review Issue 1 Revisited
Abstract
In this article, Jessica Riley offers a deconstructive reading of the founding issue of Canadian Theatre Review, demonstrating how language choices—including the celebratory invocation of “chauvinism” as the defining spirit of the era—serve as symptomatic points that expose the underlying cultural values embedded in this first issue. These values, Riley argues, establish disciplinary legacies that continue to inform the way we make, think, and write about theatre in the lands known as Canada today.
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