Vol. 6 No. 1 (2020): Copresence with the Camera

• Editors' Preface

  Alex Lichtenfels, Heather Nolan, John Zibell, Lynette Hunter

  1-3

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• Introduction: Practice as Research, Politics, Affect, and the Camera

  Alex Lichtenfels

  4-13

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Alternative Methods and Histories

• Instrument of Reflection: A Study in Smartphone Filming

  Kevin B. Lee

  14-27

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• Live Performance and Post-Cinematic Filmmaking

  Jeff Burke, Jared J. Stein

  28-47

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• Forest Tales: Toward a Practice of Eco-Cinema

  Anuj Vaidya

  48-67

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• Interviews on Critical Race and Trans/Queer Approaches to Filmmaking: Incommensurabilities—The Limits of Redress, Intramural Indemnity, and Extramural Auditorship

  Frank Wilderson III, Cecilio M. Cooper

  68-85

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Devised Filmmaking Practices

• Installed in Chalk: Mapping Screen Performance in Coccolith (2018)

  Christopher Brown

  86-104

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• Materiality of Nothingness: Inspiration, Collaboration, and Craft in Devised Filmmaking

  Alex Lichtenfels

  105-121

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• Finding a Person and Losing a Person: On Cameraperson Kirsten Johnson in Interview with Alex Lichtenfels

  Kirsten Johnson, Alex Lichtenfels

  122-135

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• Action with Camera: Making the Future Audience Present

  Heather Nolan, John Zibell

  136-155

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• The Film that Breathes: On The Dark Side of the Sun and The Book of Vision Carlo Hintermann in Interview with Alex Lichtenfels and Ilya Noé

  Carlo Hintermann, Ilya Noé, Alex Lichtenfels

  156-171

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Cross-Disciplinary Methodologies

• On ABSENCE Doings: The Cuts of Disappearance

  Álvaro Hernández, Regina Gutiérrez, Diego Aguilar

  172-195

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• Audio Description as a Generative Process in Art Practice

  Darrin Martin

  196-210

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• Attending to the Glitch: Sand in the Eyes Rabih Mroué in Interview with Lynette Hunter

  Rabih Mroué, Lynette Hunter

  211-232

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