Vol. 3 No. 2 (2017): Science and Performance
Image Caption: Frame grab image from first section, "Atomism," of Subjective Object, a three-part video by Jane Long.
Issue Editor: Coleman Nye
Mimicking, replicating, enacting, figuring, speculating, staging, choreographing – these practices of making and knowing perform promiscuous crossings at the intersections of science and performance. This special issue addresses the relation between science and performance from various disciplinary, historical, and theoretical perspectives, with contributors from the humanities, social sciences, biological sciences, and the arts thinking science and performance with, through, and/or against each other.